When I got accepted as an accredited press for the 50th edition of the International Film Festival Rotterdam, my plan originally entailed writing a conventional review each for all the films I would be watching in two feature categories. Plans changed when I still haven’t got a groove on what I would write about a …
Covering an International Film Fest for the First Time Read More »
Quo Vadis, Aida?, the Bosnian entry for the Best International Feature Film at the 93rd Academy Awards, gives light to the events leading up to the 1995 Srebrenica genocide which resulted in the deaths of more than 8,000 Bosnian Muslims. The protagonist is the titular Aida, a translator for the UN trapped in the center …
Ivory Coast’s third submission to the Academy Awards’ Best International Feature Film category is like a fairy tale. But for a film that highlights an actual fairy tale story as the cream of its plot, Philippe Lacôte’s Night of the Kings (La Nuit des rois) works best when you focus on the ritual of storytelling rather than the …
Riders of Justice pushes its synthesis that a chain of trivial causes can lead to events happening in the grandest of scales by having its plot elements emerge out of the blue. If that’s ironic, it is. Coming from an initial stance that causality is true, the film in its point of crisis flirted with the …
Jewel Maranan’s Sa Palad ng Dantaong Kulang (2017) is a documentary focusing on four separate families living in the port district of Tondo. In Palad, Maranan follows the families for years as she records their struggles trying to fight relocation up to the very moment when their homes are demolished. Kristoffer Brugada’s Elehiya sa Paglimot (2020) is also a documentary. …
Two Documentary Styles – In the Claws of Century Wanting and An Elegy to Forgetting Read More »
This is a part of Musings on Film Criticism. It is a series about what is discussed in two film criticism classes the writer sits in. Check all installments here, to be updated weekly: Musings on Film Criticism. Film criticism is a responsibility. It may not be an advocacy, but the ability to write and to …
Urban diaspora is a symptom of uneven development, especially in a country as archipelagic and disjointed as the Philippines. Fringe margins inaccessible to basic commodities often get lured to the big cities, hoping to fare well against thousands in a heavily congested space. Since releasing in 1975, Lino Brocka’s Maynila sa mga Kuko ng Liwanag set the …
The Spectre of Brocka’s Maynila Still Haunts Us with Gasping for Air Read More »
Picture this: a renowned filmmaker famous for making confusing films releases their newest work. And upon watching, you expectedly don’t know what the hell is going on. Should the work of understanding and the blame of misunderstanding fall upon the viewer, who may lack necessary context of what they are watching? Or would the finger …
There is a stage in the humble filmmaker’s career when they conflate advocacy and quality. And it’s an understandable situation. The education system, award-giving bodies, festivals, and other canon-making institutions have instilled the notion that ‘art should be political’, in a bid against the mainstream film industry driven solely by profit. It’s a misguided mindset, …
What is the point of a documentary? Should it provide basic information to those uninformed or should it deepen the understanding of those informed? Should it stir the emotions of its audience or should it be purely rational in its approach? All documentaries differ in technique – but all serve to realize one goal: to …
Aswang and A Thousand Cuts: Are documentaries enough? Read More »
